Visvim
Visvim Subsequence Magazine Vol.7
Visvim Subsequence Magazine Vol.7
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SUB Subsequence is a 12-page photo zine that has been produced since the first issue as a special bonus for every issue. It uses other photos from the articles in the magazine and is printed on a RISOGRAPH (a digital stencil printer launched by Riso Kagaku Corporation in 1980). This time, it is based on photos taken on-site in the special feature "Town Talker vol.1: Carmel-by-the-Sea" that appeared in issue 7 of the magazine.
Photography: Keisuke Fukamizu
Design: Junpei Niki
Edit: Kosuke Ide
volume 07
2024-1st
Contents of Issue 7
Essays
Akiko Wakana / Ryan Conder / Fukuda Pero / David Jacob Kramer
Special feature: "Reminiscing over you"
Saal Ceramics (California, USA) / Ruth Deutsch Lechuga and Mexican Folk Art (Oaxac, Mexico) / Grenier of the Capuu family (Aubrac, France)
Other contents
Revisiting Hanbok: Interview with Christina Kim of dosa / People of the town: Carmel-by-the-Sea / Hiroki Nakamura series: A house in Tamichi, Meguro Ward / Throughline to the debate: Interview with sculptor Rafael Zarca / Open Willards and Friends, etc.
Bilingual in Japanese and English
Magazine: 160 pages, full color
Magazine: 260mm x Large format of 372mm
Scheduled to be published twice a year
About "Subsequence"
The tagline of "Subsequence" is "Arts & Crafts for the Age of Eclectic". It means "Arts & Crafts in the Eclectic Age". It is an experimental project that covers a wide range of topics related to crafts and culture from around the world, regardless of generation, gender, nationality, etc., and also involves people from Japan and abroad in the editing and production.
With the motto of fresh, unknown material and original perspectives, we strive to create a magazine that is as carefully crafted as a craftsman who loves his work creates a work of art. There is no target reader. It is delivered to everyone who is interested in creative and cultural life. I hope to provide the pleasure of reading that feels like wandering through an unknown world, which I have forgotten for a long time in recent years, slowly and freely.
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